In both the real world and in the post-apocalyptic epic, illness itself isn’t the main story-how human beings manage or mismanage it and cope with our losses is.
And the real and fictional plagues have one thing in common. That story’s dramatically deadly plague, which wipes out more than 99 percent of the American population and leaves bodies filling the streets, is very different from the quieter horror actually unfolding across the nation, where COVID-19 victims die in hospitals pushed to their limits while members of the same communities enjoy meals at restaurants or write articles about television shows.īut while the similarities may be few, the timing is still striking: A new adaptation of the novel, a CBS All Access limited series, is debuting in the midst of the worst pandemic in a century. And artwork is really another thing.” The millions who’ve been hurt by the COVID-19 epidemic are real the victims of Captain Trips, the viral super flu in his father’s now-classic novel The Stand, are fiction.
“The pandemic parallel makes me a little uncomfortable,” says author Owen King, “Because the suffering of real people is one thing.
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